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Every Day I See My Dream

Where does the dream end and the feed begin?

Every day I see my dream unfolds as a lucid, looping fever; the screen shows me hopes I never said aloud, translated into pixels before I can claim them.

In the gallery, chrome wings cradle a fossilized SD card, promising flight yet sealing memory in a glittering reliquary. Parallel to this work and its metal cast are three additional keys, each projection-mapped with animated simulations. Scan them left to right and the sequence leaps from pure circuitry to living tissue to thinking brain, a rapid evolution that asks where technology ends and the body begins.

At the center of the room, a midi board invites visitors to remix the visuals using blooms, blurs, and glitches, yet one unmarked pad suddenly swaps in a live feed from the camera tracking the crowd, casting their own faces across the projection and revealing that the feed itself is gazing back. What seems like a personal reverie is really a feedback circuit, private thoughts returned as public spectacle.

The dream on display is vivid yet slippery, always recombining, never letting anyone hold a single shape for long, …and the room whispers a question: as our visions scroll before us, are we still the dreamers, or have we become the engine that keeps the images turning?

In short, the project is a two-part installation: a visceral film that visualizes the merger of flesh and interface, and an interactive “operational double” that lets the audience discover just how little control they truly have.

Concept ▼
Technological embodiment, immersion, posthumanism, cybernetic loops
Components to the project ▼
★ Meditative AE simulations
★ Remixed using Resolume Avenue
➜ Webcam enabled
★ Ctrl1 (Prototype)
★ 3D Printed Lockets (2 variations)
★ Metal Casted Locket
★ Projection Mapping
Black Gallery in the Art building @ SJSU 11/12-20
Preview