Every day I see my dream unfolds as a lucid, looping fever; the screen shows me hopes I never said aloud, translated into pixels before I can claim them.
In the gallery, chrome wings cradle a fossilized SD card, promising flight yet sealing memory inside a glittering reliquary. Twin projections breathe: one pulses like a hyper edited diary, the locket flashing as an “interface organ” that sutures flesh to code, while the other drifts in slow motion, skin and neural nets dissolving into a glitch.
At the center of the room, a midi board invites visitors to remix the visuals using blooms, blurs, and glitches, yet one unmarked pad suddenly swaps in a live feed from the camera tracking the crowd, casting their own faces across the projection and revealing that the feed itself is gazing back. What seems like a personal reverie is really a feedback circuit, private thoughts returned as public spectacle.
The dream on display is vivid yet slippery, always recombining, never letting anyone hold a single shape for long, …and the room whispers a question: as our visions scroll before us, are we still the dreamers, or have we become the engine that keeps the images turning?
In short, the project is a two-part installation: a visceral film that visualizes the merger of flesh and interface, and an interactive “operational double” that lets the audience discover just how little control they truly have.
Brain Visualization (AE)
Smooth gradients between colors and shapes lend the composition a hypnotic, dreamlike quality, blurring the line between something living and an artificial, computer-generated environment.
Brain Visualization v2 (AE)
Simultaneously sensual and slightly uncanny, invoking the sense of looking up close at a viscous biological mass or a surreal, alien landscape.
Circuit
The bright neon highlights, the deep-blue backdrop, and the swirling distortions create a sense of high-tech immersion, as if the viewer is peering into a living digital matrix.
3D modeled circuit board using Blender.
Lights animated to flow through the circuit.
Edited in After Effects using displacements. Green “0”s = distorted motion graphics.
Inside_v1 (AE)
Using After Effects, I animated a shifting, interconnected “organic body”… It’s important to note that no, I didn’t use AI for any of these visuals. Made entirely in AE.
Inside_v2 (AE)
AI doesn’t “see” the way we do; it predicts, interpolates, and generates. If human perception is mediated through our senses, AI’s perception is mediated through algorithms.
Inside_v3 (AE)
An abstract, fleshy-pink simulation that suggests swirling, organic forms, as though we’re peering into magnified tissue or vaporous clouds.
Inside-us(AE)
Inside-us_v2(AE)
